
ALEXIE
ISAAC
A
FILMOGRAPHY
Alexie Isaac’s
broadcasting career at KYUK spanned almost three decades.
During that time he directed news broadcasts and other programs from the
KYUK television studio, videotaped countless hours of news footage, Yup’ik
elders, Yup’ik dance performances and many other aspects of Yup’ik culture.
Alexie was an accomplished Yup’ik language translator and was often
called upon to do translation work on KYUK radio programs, including Yup’ik
news and television productions. He
worked on KYUK television programs, series and documentaries in a variety of
roles from videographer, editor, reporter or translator to producer or director.
The following Filmography
is a partial listing of the more significant and well known work Alexie produced
or assisted in producing during his television career.
DELTA VUE Series
late 1970’s-early 1980’s
THEY NEVER ASKED OUR
FATHERS
1980
ST. MARY’S POTLATCH
1981
THE WAY WE LIVE
1981
RUSSIAN
MISSION
,
YUKON
1982
A DANCING PEOPLE
1982
EYES OF THE SPIRIT
1983
ARCHAEOLOGY Series
1983
WAVES OF WISDOM Elders
Series
mid 1980’s –early 1990’s
PARLEZ-VOUS YUP’IK?
1985
YUP’IK ANTIGONE (The
Play)
1985
FOLLOWING THE STAR
1987
1987 YUP’IK DANCE
FESTIVAL
1987
JUST DANCING
1987
VIDEO FOR ALL SEASONS
Series
mid-late 1980’s
1988 YUP’IK DANCE
FESTIVAL
1988
YUUT REVIEW
late 1980’s
CAMA-I DANCE FESTIVALS
late 1980’s-early 1990’s
KYUK YUGTUN QANEMCIIT
(News)
1980’s –1990’s
A few thoughts Regarding Alexie:
In memory of my friend, Alexie
Isaac 1956-2003
By John Active
My dear friend, Alexie Isaac died
November 17th, at
Providence
Alaska
Medical
Center
in
Anchorage
of complications from diabetes.
Alexie was born
February 18, 1956
in Kasigluk. His family wrote that Alexie was well known in Yup’ik country
for his bilingual skills and worked as a translator for KYUK,
Bethel
’s Public radio and television station.
For the most part, Alexie
preferred to work behind the scenes and avoided being in front of the camera.
But he left a body of work that stands out.
Aside from reading Yup’ik news
on the radio, he also produced television documentaries in the 1980’s. Among
them: ‘They Never Asked Our Fathers,’ which gives an unflinching look at the
struggle of Yup’ik Eskimos to keep their cultural identity in the face of
almost overwhelming Western influences like mass media.
Alexie helped launch a counter
attack by starting the ‘Waves of Wisdom’project.
The idea was to send traditional
knowledge over the airwaves, featuring interviews with elders. ‘Waves’ was
originally broadcast in two-minute segments with English subtitles so younger
Yup’iks could understand them too.
And like a rock thrown into a
pond, the television features did send waves throughout the region. Elders began
to tell stories they had stopped telling and most important of all, young people
turned to the elders to find out more about the broadcasts.
“Elders from all over the
Yukon-Kuskokwim Delta were interviewed about their language and culture. Many of
these elders, now gone, possessed a rich vocabulary, with words no longer in use
today. Alexie’s archive preserved these words and much more. He also recorded
stories and traditions. Topics ranged from hunting practices to the Yup’ik way
of disciplining children.’
Alexie was also an accomplished
mask maker and studied under master carver, the late Nick Charles of
Bethel
. One of his most popular masks was often worn by Bethel Native dancers at the
Camai Dance Festival. It had a gentle smile, than many remarked was similar to
Alexie’s own expression. He was a soft-spoken man who believed in the power of
gentle persuasion.
Alexie’s Yup’ik name was
Tutmaralria. Literally it means ‘person who steps' all over the place. And
that he did, traveling all over the world to share Yup’ik culture, including
stepping around
New York
and
Paris
. But he took the most pride in the ability of his children to speak Yup’I and
sing songs in their Native language.
Cory Flintoff of National Public
Radio in
Washington
,
D.C.
said that Alexie’s death was a terrible loss to everyone who knew him. He
said it was also a loss for KYUK and the Y-K Delta and for
Alaska
.
Flintoff said, Alexie was a great broadcaster and when he and Alexie
worked television together he was a wonderful, sensitive and artistic camera man
and he had a great eye for a picture.
Flintoff added that in all aspects
of broadcasting Alexie was a wonderful person to work with and he was a
tremendously kind and thoughtful man. A man who was able to live between two
cultures.
Flintoff said with great
sensitivity and grace that it was terrible to know that Alexie was not with us
any more.
Alexie worked with Flintoff at
KYUK between 1977 and 1984.
Flintoff remembers Alexie best
pieces of work was the television documentary called, “Eyes of the Spirit.”
Alexie did most of the camera work
for the documentary and he was superb and had a great instinct for good
documentary camera work.
Flintoff said that documentary is
still shown and the Smithsonian in
Washington
,
D.C.
and he added that it was nice to know that a piece of Alexie’s work is
preserved there.
Elizabeth Weatherford who is a
curator for the
National
Museum
of the American Indian in
New York City
was also saddened by the news of Alexie’s passing. Weatherford said she loved
and respected Alexie. She said, knowing Alexie and his work was always good –
that time that Alexie and myself spent in New York at the Museum of the American
Indian when the Agayuliyararput Yup’ik Mask Exhibit was showing was really one
of her favorite times there at the museum --- “creening down Broadway,
watching you and the elders relate, and basically just fun and good.”
Weatherford also sent her best
regards to his wife and kids – “their father was such a fine man,” she
wrote.
She also mentioned that Alexie’s
work was known nationally. His productions from the 1980’s have been screened
in the Native American Film and Video Festival in
New York
and are in the collection of the
Smithsonian
National
Museum
of the American Indian in
Washington
,
D.C.
Renowned photographer, Jim Barker
of Fairbanks wrote that he and Alexie shot various events and he was impressed
by the way Alexie went to work with little fuss, always seemed to work in a
manner that didn’t seem to intrude, even though he was having to move
cumbersome tripods, placing them seemingly on
peoples laps at dance festivals.
Barker wrote that Alexie was a
very gentle guy in a profession where often you find scurring nock-a-bouts.
Rhonda McBride Faubian wrote that
Alexie Isaac was one of her most important mentors when she worked for KYUK. She
writes, he had a way of guiding you, without you realizing that you were being
taught – a way of leading you to those wonderful “Ah! Ha!” moments,
through a process of self discovery.
I’m sure this is something he
learned from the elders he revered – and was looking forward to putting this
wisdom into practice, as an elder himself. To me it is so sad that Alexie never
got the chance, because he spent so much of his life listening to elders and
preserving their stories.
It is through Alexie’s
translations that I discovered the poetry of the Yup’ik language. I’ll never
forget the eloquent words of one elder testifying at a Fish and Game meeting.
I was stunned when Alexie
translated for me. “My people have been buried on this land for thousands of
years. The soil is made up of the flesh and bones of my ancestors. We don’t
just live on this land, we are the land.”
Rhonda added, certainly among
Native Americans, he was one of the first to produce documentaries ABOUT Native
Americans and FOR Native Americans. He had a hand in just about all of KYUK’s
groundbreaking efforts to document Yup’ik culture in the Yukon Kuskokwim
Delta.
Most of all I will remember the
fun times, when Alexie told me he would give me a Yup’ik name if I would eat
“suulunaqs” – salted salmon. Yes, they are an acquired taste, but I’ll
never regret trying them, nor experiencing all the other things that Alexie
encouraged me to try.
Working side by side with Alexie
was truly the ultimate cross-cultural experience, she wrote.
In the final analysis I must say
that it is a mystery to me that he died so young. There must be some reason for
God to have taken him from us. He had so much to offer all of us.
Alexie I miss you but I also
remember the good times we had.
_______________________________________________________________________________
When I first started
working at KYUK as a production assistant in 1982, I knew very little about
video. Alexie was my first teacher.
He taught me the basics of video production in his gentle, quiet and
patient way. He showed me how to
shoot and edit Yup’ik dancing and in the process taught me many of the subtle
aspects of it and Yup’ik culture at the same time.
My children loved to visit
his home on Halloween because he always wore some type of funny mask and in
addition to candy would give them a package of dried king salmon.
He was the God father for
my youngest daughter and enjoyed doting on her with birthday and Christmas
gifts.
Alexie was a patient and
kind man. He was my friend and
I’ll miss him very much.
Mike Martz